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 Dance Cinema, Roma, Balibasa Festival, 23.05.2007
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6th February 2008

My Definition of Sound Studies: “Since the Rennaisance we have had an agreed visual perspective, and language to speak acurately about images. This we still lack in the world of sound, where words fail us to even describe for instance the complex waveforms of an urban environment, much less what those sounds do to us and how they make us feel. We are lost in a storm of noise with no language for discussion.”

Photo by Thekla Ehling
THE MESSAGE

Sam Auinger
Sam Auinger was born in Linz, Austria in 1956 and now lives and works in Berlin. Since the bgeginning of the 1980’s he has dealt intensively with the subjects of composition, computer music, psycho acoustics, and sound design.

Together with Bruce Odland, he founded O+A in 1989. Their central theme is a “hearing perspective.” Their projects include Garten der Zeitraume (Ars Electronica 1990, Linz), Traffic Mantra (at Trajan’s Forum in Rome, 1991), Sound Design for Peter Sellars’ The Persians (Premiere: Salsburger Festspiele 1993), Balance (Sonambiente Berlin 1996), Box 30/70 (beginning in 2000, Siemens, Berlin), Blue Moon (New Sounds New York, 2004).

He and Viennese composer and musician Rupert Huber have a longstanding musical friendship. As DAAD fellowship recipiants in 1997, they founded the media band berliner theorie.

Auinger frequently works with composer Hannes Strobl (tamtam), choreographer Marguerite Donion and composer Class Willeke. After several joint projects, Sam Auinger, Dietmar Offenhuber and Hannes Strobl formed the artistic group stadtmusik in 2005.

Over the years Sam Auinger has received numerous prizes and awards for his work. Most recently he became the youngest artist to receive the Kultur Preis der Stadt Linz (2002) to honor his body of work, the daad-stipendium (1997) and the SKE Publicity Preis 2007.
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